Underground Experimental Experience Edition 22: Perfect Nails - II


Blasting through western Massachusetts sound walls and offering enjoyment, Perfect Nails comes out with their second album. Cleverly, the album is Titled “ii”. I say cleverly because if the name was catchy and the masses found out about this album, the world would not be the same. The fabric of the average ear would greatly improve despite incoming tinnitus and potential electrocution from how good this album is. On “ii”, Perfect Nails is 1/2 drums and 1/2 guitar, and even though this sounds like a standard setup for an experimental rock duo, they are anything but a standard experimental rock outfit to me, nor just an “experimental rock duo from western mass”. A guitar that sounds like a droning laser and drums played with no remorse does not deserve to be bastardized.

I think that this album takes a lot of influence from what Funky Kong would listen to in 2003 on your GameCube because this album has a bodacious and radical sound that reminds me of skateboarding montages, orange sunglasses, race cars and anything that would be in the “Encyclopedia of Cool”. There’s so much energy and passion behind the guitar work and the drummer has unrelenting momentum and intention, they both capture what I love about experimental percussion and guitar well and with their own taste to it. I hope they have a physical release of this or a Bandcamp link later on but for now, listen online.

Listen Here

Comments

Post a Comment

Popular posts from this blog

Underground Experimental Experience Edition 1: Ben Wetherbee / Suncook Symphony + Deftly Demolition / Solypsis REVIEW

Image
  Hello readers,  Welcome to my corner to review anything experimental, weird, primitive, revolutionary, boggling, provoking confusing and more. So without further ado, read the first edition of Underground Experimental Experience. Ben Wetherbee / Suncook - Atomic Fiddle If I had to describe Ben Wetherbee’s side of this gem in 3 words I’d go with:  Rhythmic fiddle panic A subtle and intriguing, uneasy feeling is possessive over my brain throughout this entire one-track recording. Truly, atomic fiddle feels like someone’s entire body, psyche, every organ and muscle has been dedicated to composing a solo horror movie soundtrack for 33 minutes. I adamantly enjoyed every second of it. Within the context of the other Ben Wetherbee material I have heard, he’s proven to be extensively versatile and has shown work in bluegrass, freak folk, square dancing, free improvisation, experimental (didn’t see that one coming), and plenty other subgenres and generic brand. What impressed me...
Read more

Underground Experimental Experience Edition 2: The Cult Phenomenon of Buttersnakes

Image
  Buttersnakes has to be one of my favorite outsidercountry-comedy-parody-cult collection of nonsensical songs on my radar in a while. Founded by two longtime Massachusetts psychedelic and outsider musicians, Jeff Unfortunately (or Jeff Gallagher) and Ethan of psychedelic noise band AD.UL.T.  This project really captivated me from the get go with tracks such as “Dump truck blues (Springsteen version)”, “The Brutal Gangland Style Slaying of Tony Rigatoni”, “Fitchburg” and “Fla Keys Tourism Theme”. The unhinged and carefree nature of Buttersnakes will leave most listeners confused but myself and maybe few others completely sold on the slithering delight which is the mysterious partially available catalogue of Buttersnakes.  It feels as if I’m finding obscure deep cuts of 80’s commercials, or maybe walking through audio vintage stores when I tune in to "very snakes vol 1", "snakes alive,” or "acknowledge the snake” on bandcamp  and their cassettes thro ugh seeing their...
Read more

Underground Experimental Experience Edition 4: Shane Jones Move Aside I Have Discovered the Zeal We Will Use The Will For Real

Image
  Alarm alarm the single most impressive Casio SKS Music sound adventure has arrived with Shane Jones on “Move aside I Have Discovered the Zeal We Will Use For Real.”   Boisterous beats and alarming loops will encompass you while you delve into this abrasive sound corroboration of keyboard delights. The best part about the album for me is that it is reminiscent of playing Castlevania hooked up to distortion pedals and a spaghetti strainer which I’ve never done but now want to accomplish. Auditory crunching and paddling is prevalent on these recordings and also utilizes looping to interact with the listener in activities such as wondering whats coming from your speaker or maybe nodding in agreement.  I also find everything about this soup to be tasty and delicious! That sentence will generate in your brain if you listen to Move Aside I Have Discovered the Zeal We Will Use For Real. Especially with it’s profound personality the album will become soup, as it always happens w...
Read more